Adam Lambert 24/7 News

Very cool video of some high school students dancing to the beats of Adam's "For your entertainment".


And Adam LOVES it! He just tweeted this video!

"I love him," Amanda Peet told MTV News of the "American Idol" runner-up. "I love him. I love him."

John Cusack, meanwhile, was less honored than amusingly confused when asked about the man known as Glambert. "I have no clue," he confessed. "No, I've seen 'American Idol.' They have the guy, Dr. Sanjay Gupta. He was on that, right? Anderson Cooper won a few times."

Well played, Cusack! Peet wasn't able to play it nearly as cool the one and only time she had the opportunity to meet Lambert, at the "2012" premiere. "I said 'Hi,' but by the time I said 'Hi,' he was already walking past, and I was walking this way, and it was too late to accost him because he had already gone by," the actress laughed. "Which is probably a good thing."

Like Cusack, director Roland Emmerich had never heard of Lambert before his involvement with "2012." Emmerich was busy filming during the past "Idol" season, and he never watches TV anyway. But he liked the song, and a Sony exec showed him some YouTube videos of Lambert, suggesting he'd be a good fit to sing it.

"I said, 'Oh, my God, what an incredible voice,' " the director told MTV News.

Peet can't wait to hear the tracks. "I'm excited," she said with a grin.

SOURCE: MTV

SOURCE: 6wmcgriff and Screengems

SOURCE

ADAM-EXPLAINING MAKEOVERS
a. REALITY STAR:
He couldn't stay away from the white Elvis suits, black Freddie Mercury leathers, and tight Mick Jagger pants.
b. REALITY
Still tight, still leather, and still definitely cool. I call it the Glambert Swagger.
c. STAR:
Accessories were the big thing for Adam. He's got a classic uniform of nonconformity, but I wanted the finishing touches to make this look a LOOK. Think dangerous: chain mail scarf, link chain gloves, spiked boots.


SCHOOL OF ROCK - Creative Director Joe Zee stays true to the personal styles of three American Idol stars when taking their looks from reality show to arena filling fame.

I am sitting on an airplane writing this, maybe 30,000 feet in the air, woozy from an Ambien, when it hits me: I get anxious if I don't have my music. My iPod vanished during take off. It took two flight attendants, ripping out the bottom seat, and a flashlight to find my sacred device. The other passengers thought I had lost a diamond. Well, practically.

On average, I wear out three iPods a year. I have 6,912 songs, and my music library claims it would take 18.2 days to play them all. If you were to endure that torture, you'd find--among Kings Of Leon, JayZ, Cobra Starship, Busta Rhymes, Depeche Mode, Drake and Britney Spears--every recording of past American Idol contestants. And I don't just mean the winners. (Anwar Robinson and Anthony Federov anyone?)

There's something inspiring about this American TV juggernaut that's, well, very American: a democratic election to choose a reigning singing sensation.

Every Tuesday, from January to May, I've had an appointment-TV ritual. Parked in front of my flat screen, I've critiqued, cheered, and dialed 1-800-IDOLS-0X. And while a glassy eyes Paula claps or Simon shakes his head in disgust, I'm screaming "Why the hell are you wearing that??"

Working with top recording artists has taught me that style and music are in a codependent relationship. Think Madonna and her wedding dress, Justin and his suits, or Debbie Harry and her white pumps. Fashion and image are as important as that first single. So when I watch these budding talents go from waitress to pop star, I'm thinking, Go with more leather and be the new Joan Jett, or, You need more edge if people are going to take your music seriously.

This past season, though, the talent, especially the trio who make up the fan-monikered "Kradison," were merging fashiong w/ their tunes: Adam (G)lambert was never shy about taking chances; 16 year old Allison Iraheta killed it with her signature bottle-red hair; and winner Kris Allen played up his aw-shucks demeanor with a cool mix of V neck tees, plaid shirts, and dirty Converse. They all proved you don't need drama to make a statement-just personality. And that sums up Kradison.

On the eve of their debut CD releases, I put my own spin on defining their images--no more screaming at the TV--and took their looks from "Reality Star" (show gear) to "Reality" (streetwear) to "Star" (ultimate stage gear). Let me know what you think, but to quote the famous last words of Randy, I'm totally feeling it, dawg."

Adam Lambert interview on This is it premiere－by Mtime（Chinese site）

By Dana Meltzer Zepeda November 06, 2009 01:19 PM EST

His first single from his debut album For Your Entertainment is already climbing the charts, but Adam Lambert isn’t about to rest on his laurels anytime soon.

“I’m really excited,” the American Idol runner-up tells TV Guide Magazine. “Then I realize no one’s heard the album yet so the pressure is kind of scary.” Luckily, Lambert promises his 14-track disc, due out November 23, is diverse enough to appeal to all music fans.

“I wanted to span a bunch of different genres,” he says. “There are songs that are really angsty indie rock. There are songs that are very classic rock and there’s a couple of dancey electro kinds of things. People tend to sometimes not listen to a whole album these days. They put together their own play lists so I wanted to treat it like an eclectic collection of things that had me at the middle of it.”

SOURCE: TVGuide

Lea Michele, who plays the star-bound songstress Rachel, on the breakout Fox hit Glee, tells MTV News that she really, really, really wants to sing with Adam Lambert.

“I love Adam Lambert! I want to sing with him so badly,” she said. “If they don’t let me [sing with him] on the show, I would just in life. I just want to sing with him so badly. He’s just such an incredible vocal performer, and I’m such a huge fan.

“I feel like I’d be getting to work out at the gym with the best trainer in the world,” she continued. “You want to work out with someone who’s ripped and is going to train you well. That’s what I think about when I think of Adam Lambert. I just think he’s awesome.”

Cory Monteith, sitting next to Lea as she gushes, deadpans, “Lea, just tell Adam Lambert what you feel.” Cory, who plays Finn, the high school football star turned gleekster, thinks Adam is pretty talented too. “He’s a really terrific singer,” says Cory.

If Glee co-creator, Ryan Murphy gets his way, Adam will appear in a cameo in an upcoming Glee episode. But Adam told Ryan Seacrest last week on his radio show, that he hasn’t heard anything official from the show yet.

SOURCE: MTV / MJsbigblog

Adam Lambert just tweeted and cleared the rumor that he is not dating his good friend, Ferras. Adam remains single.

Adam Lambert
# @ohferras The tabloids think we're dating. Haha! where do they get this sh**t?!about 2 hours ago from Echofon


SOURCE

SOURCE

Roger Taylor from Queen was on BBC UK breakfast this morning and talked about Adam. He said he has one of the best voices he has ever heard. And they (QUEEN) hope to work with him again in the future.

SOURCE: rosie

IF THE ABOVE VIDEO DOES NOT WORK...

WATCH THE INTERVIEW HERE: ADAM LAMBERT INTERVIEW ON ASK.COM

Adam is being interviewed by Gettyimage on the red carpet.

A cute fan video featuring Adam Lambert and other American Idol season 8 contestants.

The following article is beautiful and amazing and every Adam fan should read it!


The singer's genre-busting major label debut, 'For Your Entertainment,' drops Nov. 23, and it just might make him an American idol all over again.

By ANN POWERS, Pop Music Critic

Kicking off another typical seven-day work week in the offices of his management company 19 Entertainment, Adam Lambert fixed his gaze on his own pretty face. Scattered across his publicist's desk were proof sheets from a photo session with the singer, who will release his debut album on RCA Records, "For Your Entertainment," Nov. 23. The shots captured Lambert in typical glam-god poses: peacock, street tough, space oddity, freaky adventurer in the boudoir of the damned.

Lambert, who in person is none of those things but rather a startlingly grounded 27-year-old radiating Southern Californian optimism, took up a red pencil and circled a frame. "This one needs a little fix here," he said, momentarily playing art director. It's all part of one big performance for Lambert as he works to resurrect rock in the new pop age.

But hold on. When such hyperbole is thrust at him -- by, say, an overly admiring pop critic who followed him closely during last year's "American Idol" contest, when he broke ground as the most successful Idol to be rock-oriented, androgynous and gay -- he lifts a ring-laden hand to brush it away.

"I want to put it out there that I don't take myself all that seriously," he said. That's one of his mantras. "The dress-up supports that; the fantasy element supports it. People want to talk about whether I have rock cred, whether I'm selling out, the theatricality, the gay stuff. . . . Chill out! And just enjoy yourself. It's not that deep."

Then he corrected himself, slightly. "Sometimes it is deep. Some of the songs on the album are," he admitted, pointing to the song "Soaked," a sweeping epic about the loneliness of one-night stands that's actually a cover of an unreleased track from Muse, and a very serious one at that. He also singled out "Broken Open," a ballad he co-wrote, which he said is about encouraging a lover to become vulnerable enough to cry.

"But sometimes it's just, 'This is hot, I feel good, this song makes me want to go get a drink and flirt with somebody and have a good time.' Good energy is just as credible as the cathartic, dark, heavy" stuff, he said. "It's just as important!"

This might be the most exciting message Lambert carries forward into one of the most intensely observed major label debuts in recent pop history. He's reminding America that rock music can be joyful, light-spirited and sublimely silly, just as pop can explore serious subjects beyond the call to hit the dance floor. And that a rock star might also like to dance.

The Lambert way

As Lambert plays the role, a rock star doesn't have to be an angry punk, a brooding post-grunge puritan or a hair-metal style macho dude in a dress. These approaches all have their purpose, but Lambert projects something different: outrageousness that's totally at peace with itself.

He does this by connecting countercultural ideas -- values he learned as a kid touring Germany in a production of "Hair," the musical that first brought rock's spirit to Broadway -- with a trouper's sense of artistic performance as work, which takes brains and a certain sharpness as well as talent.

"His No. 1 challenge, which I think he'll pass, is stay true to himself and to roll with the punches as they come," said Rob Cavallo, who has worked with artists from Green Day to the Dave Matthews Band and produced four tracks on "For Your Entertainment." "He's going to have successes. He might have people against him. Which is exactly what happened to Elvis, the Beatles, to Prince. . . . There will be controversy, and there will be opinions. If he stays true to himself he will be one of those great artists to watch over the years."

Lambert readily admits a huge debt to David Bowie, whom he describes as "my favorite," and other glam and classic rockers such as Mick Jagger and Marc Bolan of T. Rex. (More surprisingly, he repeatedly cites both Prince and Michael Jackson.) Lambert's efforts to succeed as a rocker will hinge on his ability to tap into the legacy Bowie and those others represent. His "emo" side, linking him to bands like Fall Out Boy, also helps. But it's hard to know if the rock world -- and rock radio, in particular -- will embrace him.

"When bands like Fall Out Boy and All American Rejects first came out, they got airplay on modern-rock stations," noted Leslie Fram, a rock radio veteran who's program director of New York's 101.9 RXP FM and co-host of its morning show with Matt Pinfield. "But when they crossed over to the Top 40, it was the nail in the coffin. They went over to the pop side, image-wise, and modern-rock radio wanted nothing to do with them."

Lambert's trying something even these bands didn't attempt -- to succeed in both the rock and pop camps at once. He loves his glam, but he admits that in terms of today's stars, he has more in common with Beyoncé than with Chris Daughtry.

"People look at me and immediately say, 'Oh, he's doing the musical-theater thing,' " he said. "But if you look at most female pop stars right now, how are they any less theater? Beyoncé is doing 'Single Ladies' with two girls in character shoes and leotards, doing Fosse choreography from 'Sweet Charity,' and 'West Side Story.' "

Lambert obviously learned some of his moves from his youth in the theater, but he's also always credited the friends he made through Burning Man, the annual festival of makeshift art that turns a patch of the Nevada desert into its own magic kingdom. If "Hair" introduced him to the language of the counterculture, Burning Man showed him how people spoke it every day.

"There's a community here in L.A. that's part of Burning Man," said Lambert, a San Diego native who moved to Hollywood after high school. "It's an underground community, and when I found out about it I was so much more excited about living here. The people I was meeting were a lot more interesting, more original. And happy, just happy.

"Los Angeles can be a really sad city. If you go to the clubs you meet a bunch of people trying to be actors and not fulfilling their dreams, and they're bitter and sad. . . . But in [the Burning Man] community no one cares. You're living your life, and you feel fabulous about it, and you might be doing it on $5 a day."

Lambert is certainly enjoying his bigger budget now -- especially the "expensive, beautiful and weird" clothes -- but he seems to have preserved the perspective he gained hanging out with serious bohemians.

He does know how to play the music industry game. He raided the executive suites for collaborators on "For Your Entertainment": Its songwriters include ubiquitous hit-makers Max Martin, Ryan Tedder, Linda Perry, Dr. Luke and "Idol" judge Kara DioGuardi, and his producers include big names like RedOne and Rob Cavallo.

"Adam is unusually confident in my mind but not in a pretentious way," Tedder said in an e-mail. "He has the confidence of a guy that absolutely knows who he is to the core, both musically and personally. He spent four days in Denver working with me and was as laid back and comfortable in my studio as he was being swarmed by fans when we went to dinner. For a first-time artist, he definitely had more control creatively than I've ever seen a new act given, but Adam is the kind of person that would rather not put out anything than put out something that was less than 100% his vision."

Pinfield, Fram's co-host on WRXP and a defining force within alternative rock as an MTV host during the 1990s, thinks his eclectic approach could work for Lambert. He might have a tough time on rock radio, Pinfield said, but the singer's fans might not care.

"There was a different world before, with the rock 'n' roll thing," he said. "Today, the same kids who love the Beatles and the Stones and Zeppelin could love Radiohead, and Adam Lambert. Young people today are not as worried about being genre specific."

In the studio, Lambert enlisted hot ingénues Pink and Lady Gaga as writers while securing some of that fabled rock cred by covering material by Justin Hawkins, formerly of English glam revivalists the Darkness, and Muse, a band that he loves.

"I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar," Lambert said. "But I also listen to a lot of dance music. I love that style. I was a Paula Abdul fan, a Michael Jackson fan, a Madonna fan. When Christina Aguilera came out when I was in high school, that was a great example of someone taking the pop-dance feel but who could really sing. Pop stars have done it; it's just not a lot of guys have done it. Maybe it's a question of masculine persona."

The singer's edge

As an openly gay man during a time when that identity has become more acceptable (in the media, at least), Lambert starts with a surprising advantage over apparently straight rockers: He's expected to be in touch with his feminine side.

"I'm the gay guy pushing the straight boundaries," he said. "But that's what I did on the show! Like when I did 'Ring of Fire,' I went full-on with eye makeup, a really weird outfit and leather. The very next week, I did 'Tracks of My Tears' in a suit, looking really hetero. I was playing with my image. It wasn't that I was trying to be straight."

His playful pan-sexuality and flamboyant swagger, once qualities common to hard rockers, are now owned by the likes of Pink and Lady Gaga. Lambert understands that. He also cites Justin Timberlake as a kindred spirit, if not musically, then in terms of showmanship and fluid style.

"I think the next generation coming up is a little bit more open-minded," he said. "More accepting, more colorful, more multi-genre, multiethnic, multi-sexuality, which is more utopian. Or I think so. I hope so."

What separates Lambert from much of pop's young elite is his voice, an instrument whose timbre, power and range recalls those titans of hard rock.

"He can sing almost any note on a guitar from the lowest to highest," said Cavallo, who thinks Lambert's sense of style and soul, combined with that range, puts him in the realm of the greats. "And if you're in the studio with him and say, 'Can we get a little more dirty?' he'll go 'Waaaaah!' And then the microphone is melted and the speakers have exploded."

Lambert studied opera as a teenager, then turned away from lessons for a while. "I started rejecting the proper way to sing and I started singing," he said. "I was listening to more and more rock music and wondering, wow, how does that person do that with their voice?"

He discovered there was no name for what rock singers do. Lambert's singing, like his taste and his personal style, put him beyond a boundary.

"I met with [a vocal coach] over the summer and talked to him about it, and the funny thing was, you know when I do those little, crazy, screamy notes? He's like, 'We don't really have a way to teach that. It kind of goes outside of our box.' Those notes that sound sort of like rock-scream, no one ever taught me to do. I sort of had to teach myself. You just do it. It's just a sound you make."

ann.powers@latimes.com

SOURCE

Lambert's trying something even these bands didn't attempt -- to succeed in both the rock and pop camps at once. He loves his glam, but he admits that in terms of today's stars, he has more in common with Beyoncé than with Chris Daughtry.

"People look at me and immediately say, 'Oh, he's doing the musical-theater thing,' " he said. "But if you look at most female pop stars right now, how are they any less theater? Beyoncé is doing 'Single Ladies' with two girls in character shoes and leotards, doing Fosse choreography from 'Sweet Charity,' and 'West Side Story.' "

Lambert obviously learned some of his moves from his youth in the theater, but he's also always credited the friends he made through Burning Man, the annual festival of makeshift art that turns a patch of the Nevada desert into its own magic kingdom. If "Hair" introduced him to the language of the counterculture, Burning Man showed him how people spoke it every day.

"There's a community here in L.A. that's part of Burning Man," said Lambert, a San Diego native who moved to Hollywood after high school. "It's an underground community, and when I found out about it I was so much more excited about living here. The people I was meeting were a lot more interesting, more original. And happy, just happy.

"Los Angeles can be a really sad city. If you go to the clubs you meet a bunch of people trying to be actors and not fulfilling their dreams, and they're bitter and sad. . . . But in [the Burning Man] community no one cares. You're living your life, and you feel fabulous about it, and you might be doing it on $5 a day."

Lambert is certainly enjoying his bigger budget now -- especially the "expensive, beautiful and weird" clothes -- but he seems to have preserved the perspective he gained hanging out with serious bohemians.

SOURCE

"His No. 1 challenge, which I think he'll pass, is stay true to himself and to roll with the punches as they come," said Rob Cavallo, who has worked with artists from Green Day to the Dave Matthews Band and produced four tracks on "For Your Entertainment." "He's going to have successes. He might have people against him. Which is exactly what happened to Elvis, the Beatles, to Prince. . . . There will be controversy, and there will be opinions. If he stays true to himself he will be one of those great artists to watch over the years."

Lambert readily admits a huge debt to David Bowie, whom he describes as "my favorite," and other glam and classic rockers such as Mick Jagger and Marc Bolan of T. Rex. (More surprisingly, he repeatedly cites both Prince and Michael Jackson.) Lambert's efforts to succeed as a rocker will hinge on his ability to tap into the legacy Bowie and those others represent. His "emo" side, linking him to bands like Fall Out Boy, also helps. But it's hard to know if the rock world -- and rock radio, in particular -- will embrace him.

"When bands like Fall Out Boy and All American Rejects first came out, they got airplay on modern-rock stations," noted Leslie Fram, a rock radio veteran who's program director of New York's 101.9 RXP FM and co-host of its morning show with Matt Pinfield. "But when they crossed over to the Top 40, it was the nail in the coffin. They went over to the pop side, image-wise, and modern-rock radio wanted nothing to do with them."

SOURCE

"I want to put it out there that I don't take myself all that seriously," he said. That's one of his mantras. "The dress-up supports that; the fantasy element supports it. People want to talk about whether I have rock cred, whether I'm selling out, the theatricality, the gay stuff. . . . Chill out! And just enjoy yourself. It's not that deep."

Then he corrected himself, slightly. "Sometimes it is deep. Some of the songs on the album are," he admitted, pointing to the song "Soaked," a sweeping epic about the loneliness of one-night stands that's actually a cover of an unreleased track from Muse, and a very serious one at that. He also singled out "Broken Open," a ballad he co-wrote, which he said is about encouraging a lover to become vulnerable enough to cry.

"But sometimes it's just, 'This is hot, I feel good, this song makes me want to go get a drink and flirt with somebody and have a good time.' Good energy is just as credible as the cathartic, dark, heavy" stuff, he said. "It's just as important!"

This might be the most exciting message Lambert carries forward into one of the most intensely observed major label debuts in recent pop history. He's reminding America that rock music can be joyful, light-spirited and sublimely silly, just as pop can explore serious subjects beyond the call to hit the dance floor. And that a rock star might also like to dance.

SOURCE

These pictures were taken by Libracats at Adam's friend Danielle's show last night!











SOURCE: Libracats

Lady Gaga and Adam Lambert are both splashy, glamorous pop singers, so having Gaga write a song for the "American Idol" runner-up's forthcoming debut album, For Your Entertainment, felt like a natural fit. When Lambert's camp approached the over-the-top singer to contribute a song to the album (which hits stores the same week as her The Fame Monster re-release), she had just the right song for him.

"I saw him on the set backstage when I did 'American Idol,' but I didn't really know him. They called me and told me Adam really wanted me to write for him," she told MTV News, adding that the song "Fever" felt just right for Lambert. "And I had this song that I had already done that I thought would have been perfect, so we went into the studio."

Although Gaga's solo career is rising at an explosive rate, she said she loves hooking up with other newer artists and nurturing their careers.

"I actually really love working with younger, up-and-coming artists that I can kind of bring to the forefront, someone like [my tour opener] Semi Precious Weapons or Wale," she said. "I do the same thing in fashion. I help promote young designers."

Lambert's For Your Entertainment drops November 23, while Gaga's The Fame Monster hits stores the next day.

SOURCE

Adam Lambert 'For Your Entertainment,' Debut Album Released Monday, November
23, 2009
TITLE SINGLE NOW AT RADIO


LOS ANGELES, Nov. 4 /PRNewswire/ -- With his out-of-this-world vocal range and
unique musical style, Adam Lambert is the ultra-glam, rock superstar that has
America hooked. On Monday, Nov 23, Adam will unleash one of the most highly
anticipated debut albums, "For Your Entertainment," on 19 Recordings/RCA. The
record garnered contributions from such innovative artists as Lady Gaga, P!nk,
Muse, Justin Hawkins formerly of The Darkness and Rivers Cuomo of Weezer.

Millions of fans watched Lambert's stunning performances on the eighth season
of "American Idol" and now those millions of fans are waiting for the release
of the album and Adam's first single, which Adam introduced on Ryan Seacrest's
radio show Oct. 30. "For Your Entertainment" was written by Claude Kelly
("Circus" by Britney Spears) and Dr. Luke ("I Kissed A Girl" by Katy Perry and
"Girlfriend" by Avril Lavigne, "Right Round" by Flo Rida, along with multiple
singles by Kelly Clarkson) and produced by Dr. Luke.

"I feel so lucky to have been granted true opportunity to work with some of
the top producers and writers in popular music," Says Adam. "This album is a
reflection of their genius and the collaborative energy that they were
gracious enough to share with me."

The credits on Lambert's first album read like a list of the hottest artists
in the music business. Lady Gaga, long cited as a major influence on Adam,
c-wrote the track "Fever" with producer Jeff Bhasker. P!nk is a co-writer on
"Whataya Want From Me," along with Sweden's Max Martin and Johan Shellback.
Matthew Bellamy, of the British prog rock/eletronica band Muse, one of Adam's
favorite groups, wrote "Soaked."

Justin Hawkins, who was lead singer of the acclaimed British quartet the
Darkness, wrote the lead track on the album, "Music Again." Rivers Cuomo,
co-founder, lead singer and principal songwriter for Weezer, is one of the
writers on "Pick U Up," along with Lambert and Greg Wells ("I Do Not Hook Up,"
Kelly Clarkson).

There are other stellar names featured in the credits on Adam's debut release.
Rock goddess Linda Perry, responsible for hits like "Beautiful" by Christina
Aguilera and "Get The Party Started" by P!nk, is the writer and producer of "A
Loaded Smile." Ryan Tedder of OneRepublic, whose credits include "Bleeding
Love" for Leona Lewis and "Halo" for Beyonce, wrote and produced
"Sleepwalker."

Adam co-wrote four of the songs on his album. In addition to "Pick U Up," Adam
penned "Strut" with Greg Wells and "American Idol" judge Kara DioGuardi;
"Aftermath" with Alisan Porter, Ferras and Ely Rise; and "Broken Open" with
Wells and Evan Bogart (whose credits include "S.O.S." by Rihanna and "Jai Ho!
(You Are My Destiny)" from "Slumdog Millionaire."

Four of the tracks on "For Your Entertainment" are produced by Rob Cavallo,
the A-list producer who has worked with Green Day, My Chemical Romance, David
Cook, Alanis Morisette, Chris Isaak, Paramore, Jewel, Shinedown and Dave
Matthews Band. Cavallo produced "Music Again," "Soaked," "Sure Fire Winners"
and the bonus track, "Time For Miracles," from the soundtrack to the new
motion picture, "2012."

One day before "For Your Entertainment" goes on sale, Adam will sing the title
track on television for the first time, appearing on "The American Music
Awards" on ABC-TV on Sunday, Nov. 22. He will give a special live concert
performance on ABC-TV's "Good Morning America" on Wednesday, Nov. 25, "Late
Show With David Letterman" that same night on CBS and will pre-tape on Nov.
23. More TV shows to be announced soon.

For information go to: http://www.adamofficial.com

For Your Entertainment - Track Listing:

1. MUSIC AGAIN: Writer - Justin Hawkins, Producer - Rob Cavallo

2. FOR YOUR ENTERTAINMENT: Writers - Claude Kelly/Dr. Luke, Producer: Dr. Luke

3. WHATAYA WANT FROM ME: Writers: Pink, Max Martin, Johan Shellback,
Producers: Max Martin & Johan Shellback

4. STRUT: Writers: Adam Lambert, Kara DioGuardi, Greg Wells, Producer: Greg
Wells

5. SOAKED: Writer: Matthew Bellamy (MUSE), Producer: Rob Cavallo

6. SURE FIRE WINNERS: Writers: David Gamson, Alexander James, Oliver Lieber,
Producer: Rob Cavallo

7. A LOADED SMILE: Writer/Producer - Linda Perry

8. IF I HAD YOU: Writers- Max Martin, Johan Shellback, Savan Kotecha,
Producers: Max Martin & Johan Shellback

9. PICK U UP: Writers- Rivers Cuomo, Greg Wells, Adam Lambert. Producer - Greg
Wells

10. FEVER: Writers - Lady Gaga, Jeff Bhasker, Producer- Jeff Bhasker

11. SLEEPWALKER: Writers - Ryan Tedder, Aimee Mayo, Chris Lindsey, Producer-
Ryan Tedder

12. AFTERMATH: Writers- Adam Lambert, Alisan Porter, Ferras, Ely Rise.
Producer- Howard Benson

13. BROKEN OPEN: Writers- Greg Wells, Adam Lambert, Evan Bogart. Producer-
Greg Wells

BONUS TRACK:

14. TIME FOR MIRACLES: Writers - Alain Johannes, Natasha Shneider. Producer-
Rob Cavallo


SOURCE RCA Records

Personal PR: Roger Widynowski, 19 Entertainment, +1-310-461-1788,
rogerw@19entertainment.com; or Label PR: Jamie Abzug, RCA Music Group
Publicity, +1-212-833-5587, Jamie.Abzug@sonybmg.com


SOURCE

Adam Lambert’s debut single, “For Your Entertainment” is finally now available at iTunes:

Download “For Your Entertainment” on iTunes:

* For Your Entertainment -

Download “For Your Entertainment” at Amazon’s mp3 store:

* Adam Lambert – For Your Entertainment

1 Music Again 3:16 – Writer – Justin Hawkins, Producer – Rob Cavallo
2 For Your Entertainment 3:35 – Writers – Claude Kelly/Dr. Luke, Producer: Dr. Luke – Lead single
3 Whataya Want from Me 3:47 – Writers: Pink, Max Martin, Johan Shellback, Producers: Max Martin & Johan Shellback
4 Strut 3:29 – Adam Lambert, Kara DioGuardi, Greg Wells, Producer: Greg Wells
5 Soaked 4:33 – Writer: Matthew Bellamy (MUSE), Producer: Rob Cavallo
6 Sure Fire Winners 3:32 – Writers: David Gamson, Alexander James, Oliver Lieber, Producer: Rob Cavallo
7 A Loaded Smile 4:04 – Writer/Producer – Linda Perry
8 If I Had You 3:48 – Writers- Max Martin, Johan Shellback, Savan Kotecha, Producers: Max Martin & Johan Shellback
9. Pick U Up – Writers- Rivers Cuomo, Greg Wells, Adam Lambert. Producer – Greg Wells
10 Fever 3:26 – Writers – Lady Gaga, Jeff Bhasker, Producer- Jeff Bhasker
11 Sleepwalker 4:25 – Writers – Ryan Tedder, Aimee Mayo, Chris Lindsey, Producer- Ryan Tedder
12 Aftermath – 4:26 – Writers – Adam Lambert, Alisan Porter, Ferras, Ely Rise. Producer- Howard Benson
13 Broken Open 5:03 – Writers- Greg Wells, Adam Lambert, Evan Bogart. Producer – Greg Wells
14 Time for Miracles Bonus Track 4:43 – Writers – Alain Johannes, Natasha Shneider. Producer – Rob Cavallo

UPCOMING MAGAZINE APPEARANCES

--November Issue of Out Magazine, "Out 100"
--November Issue of DETAILS Magazine (On newstands now)
--November Issue of InStyle Magazine (On newstands now)
--December Issue of Elle Magazine


SOURCE: claysscgirl (Idol Forums)

Nov 22nd, 2009 - AMA (American Music Awards)
Nov 23rd, 2009 - Album is officially released
Nov 24th, 2009 - Good Morning America
Nov 25th, 2009 - Late Show with David Letterman
Dec 01st, 2009 - The Ellen DeGeneres Show

Lambert plans to 'date on tour'


"American Idol" runner-up Adam Lambert told Us Magazine he intends to date while on tour as he promotes his debut album, "For Your Entertainment."

Earlier this week, it was reported that Lambert and boyfriend Drake LaBry recently broke up.

From the Us story:

The singer -- who came out to the public in Rolling Stone this past June -- told Us he is looking for someone who is "intelligent" and has "creativity and compassion."

Still, he has no ill will for his ex, whom he still says is a "very good friend" after their mutual decision to end the relationship.

"I don't really feel like there were any mistakes made," he told Us. "I feel like things evolved. Sometimes you're on the same page with somebody, and sometimes you have to get off that page and on to another one."

By the way, 30-second clips of all of the songs on Lambert's CD (set for release Nov. 23) are available on Amazon.com's UK Web site.

SOURCE

According to Adam's twitter, he just left for the premiere of the 2012 movie tonight at the Regal Cinemas in the L.A. Live Center It is in the Nokia Theatre plaza, next to the Staples Center) south of Downtown Los Angeles.

You can buy the song now on Amazon.com

Support Adam by buying his single!

CLICK ON THIS LINK TO LISTEN TO THE SNIPPETS/PREVIEWS OF ALL THE SONGS ON THE ALBUM!

For Your Entertainment

or listen to the songs here:

From the person who uploaded the video:
"Adam Lambert on the red carpet for the "This Is It" premiere at the Nokia Theatre in Los Angeles. We were walking to the nearby Staples Center for the Lakers game, took a wrong turn and there was Adam!! "

A tutorial based on the Adam Lambert's album cover.

Very interesting and fun video for those who are curious about Adam's make up!

New Adam pictures!